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Happenings

Happenings

What's your mom's favorite snack?

Nandal Seo

Nandal Seo is starting a journey to collect stories related to foods/drinks, and the first topic is ‘Mother’. Can you think of your mother’s favorite snack? Or is there a special dish you shared with her? Some might not have any memories with one’s mother, then a taste, a texture, a smell that reminds ...

Explain Yourself: What’s Left Behind

Ken Hollings, Sheena Calvert

What’s Left Behind is an expansive collection of texts that came out of the ‘Explain Yourself’ writing workshops conducted by Ken Hollings during the Spring of 2023. The last Year 2 MA Visual Communication students were encouraged to compose a 250-word statement that reflected some key aspect of their practice. Their contributions offer a wide range of perspec...

Triplex

Joo Yeoun Yoo

Triplex starts from individual responses to Research, Design and Publish. The process is an endless repetition between these steps. Publishing is not the end of a project, but a trigger for moving forward. This becomes a collective question of how to expand the boundaries of circulation. This exhibition provides a space for understanding new facets of ...

Explain Yourself: Bigger Than This

Ken Hollings, Sheena Calvert

Bigger Than This is the outcome of the 2022 ‘Explain Yourself’ writing workshops where Year 2 Visual Communication were encouraged to compose a 250-word statement that reflected some key aspect of their practice or a current project. The mood and the message this year, following our return to the studio, is ‘Go Big’ – with expansive statements on bodies and emotio...

DPM+

Cecilia Wee, Neville Brody, Arjun Harrison-Mann

DPM is Dictate Process Mandates Dispel Popular Myths Desire Propel Motion Do Politics Matter Death Pleasure Mistakes Dismantle public monotony Distribute Power Meaningfully De Pause Moment Join us for DPM+ Thursday 13 + Friday 14 January 2022, live online from 09:00-16:00 GMT (London time) Check your RCA inbox for the Zoom link DPM+ is two days of interventions, insights and ...

TERMINAL Graduates Interview

Suthata Suthmahatayangkun

Checking my Thai bank account at midday I found almost 500 pounds had been taken out on my card in the past few days. Gone were the months of planning and pitching ideas for special celebrative content for RCA’s Convocation day. I was standing there in front of Barclays on Kings Road arguing and pleading with my...

Frame

Frame

Why do we need a chair in the virtual world?

Haewon Jeon

Here is a chair which I brought from 3D Warehouse1. The 3D Warehouse is a fantastic free storage in which everything has been virtualised, but realised simultaneously. It displays simulacrum not mimesis, or the content which professes a three-dimensional basis. Hence, the things within the warehouse are placed in a state of non-gravitation. Wandering objects demolish ...

It's all too late.

Shannan Hu

6:00 am I open my eyes and instantly bounce out of bed. I grab my phone, walk into the bathroom, turn on the Science Podcast, take a shower, brush my teeth, and finish within 20 minutes. 6:20 am I have 40 minutes to read. I plan to read two books a week, 100 books a year, with 40% economics, 30% psychology, 15% history and 15% ...

Stain Detective Journal #1 | Look What We Did To White City!

Xiaolin Yuan

28th January 2022 Have you ever noticed what was left on the floor? Have you ever wondered who did this and why? Hi there. Welcome to the Stain Detective Journal #1. I am glad to take you on a journey with me to detect stains in white city. “WTF?” “Who wants to look at stains?” “Is there a need to in...

The Milkmaid

Andrea Sisó

The Milkmaid is a project about the theatricality of the dinner party. Inspired by the Bachelor’s Dinner from The Futurist Cookbook, the Milkmaid is meant to parody the etiquette of the dinner party guest.  It was created during lockdown when we weren’t allowed to invite people over. If you pretend that your food is your ...

When Terminal: What Is Transit After 18 Months Of Standstill?

Maya Gulieva, Louise Gholam

Walls are not barriers for hope and imagination. — Talha Ahsan, Otherstani I had the endless day, months and months of endless days, and yet my return date bounded this sense of boundlessness, kept it from becoming threatening. — Ben Lerner, Leaving the Atocha Station It feels strange to talk about transit after 18 months of standstill. For the neo-...

Photo Etching

Kristina Kapeljuh

Probably it’s because of the silver grey of the etched areas, that it stands out so loudly. That hydro-coat blue. I never imagined that an artificial blue could be that neon bright outside of the digital-meta-space of the screen. The vivid part of developing the plate is when this mesmerising blue becomes liquid and you’re t...

Fodder

Fodder

Comics and Neurodiversity: The Emancipatory Medium

30 June 21
Public

Chronographic Excavation: Dealing with 'Middle-Eastern Archives' in the West | حفر كرون-جرافيك: تعاطي أرشيفات الشرق الأوسط في الغرب

30 June 21
Public

Monobrow

28 June 21
Public

Terminal

27 June 21
Public

Neobridge Part 2: Form-bridging in Contemporary Art Practice and Education—Endless Forms, Infinite Discoveries

27 June 21
Public

Neobridge Part 1: Form-bridging Workshop

27 June 21
Public

Life Lines

27 June 21
Public

Interpretive Practices (Part 1): Workshop

26 June 21
Public

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